Victor Fan is a PhD candidate at Yale University, Film Studies and Comparative Literature, specialising in Chinese and British Cinemas, Contemporary Hollywood, New Media, and Film Theory. He is also a working filmmaker (with an MFA at USC) and composer (with a BM at Eastman). His works were published at Screen and CLCWeb: Comparative Literature and Culture, and his dissertation (completed) is titled “Football and Opium: Political Violence and the (Re)-Inventions of Cinema.”
Show all articles by Victor Fan featured in Screening the past.

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